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Archive for the ‘Ranting and Raving’ Category

“Very interesting … but stupid.”

My name is David and I have a problem.

I love the movies. Always have. Always will. Through good times and bad, through classic films and movies so wretched they carve a little bit of your soul away with every flicker. I stopped counting at 10,000 films and that was years ago.

Why, you ask? Because. Just because.

Because “It’s beau-ti-fullllll” turns into “Sweet son of a goat-lickin’ whore, my face is melting!!!” in “Raiders of the Lost Ark.”

Because it’s for kids.

Because I get a little verklempt every time Jimmy Chitwood tells Norman Dale “I’ll make it.” And then does.

Because I get a lot verklempt every time the OPENING music cue starts on “Hoosiers.”

Because I got kicked out of “License to Drive” for hitting a kid with a knotted-up licorice whip, and paid a second time to see the film without thinking twice.

Because you will crap your pants when the hand shoots out of the grave at the end of “Carrie.”

Because “I could have been a contender.”

Because “Truck, what truck?”

Because of the look on Mark Wahlberg’s face during the drug deal gone epically bad in “Boogie Nights.”

Because of the way Milla Jovovich looks. Period.

Because of the final, harmonica-of-death backed showdown between Charles Bronson and Henry Fonda in “Once Upon a Time in the West.”

Because of the way Baloo the Bear’s eyes bug out when he’s rubbing his rear on the rock in “The Jungle Book.”

Because I got to see “A River Runs Through It” with my Montana-raised father before he died.

Because Heath Ledger rocked me.

Because Michael Madsen danced before cutting off the ear.

Because “The Right Stuff” made me want to be an astronaut.

Because “It’s Chinatown, Jake.”

Because Guy Pearce shoots James Cromwell in the back, and then holds up his badge to show them he’s a cop, in “L.A. Confidential.”

Because “That’ll do, pig.”

Because of the most bat-shit twist in cinema history in “Orphan.”

Because of the second most bat-shit twist in cinema history in “God Told Me To.”

Because of what’s in the jars in “Margaret’s Museum.”

Because of the way Jennifer Garner smiles in “13 Going on 30.”

Because of the way Jodie Foster sings  in “Bugsy Malone.”

Because “I would never do it on a Christmas tree!”

Because it’s “Garbage day!!”

Because of the insane two-on-one rooftop fight scene with the guy who sticks his foot above his head and wiggles it in “Jackie Chan’s Who Am I?”

Because James Cagney shoved a half of a grapefruit in some poor woman’s face.

Because Sandra Bullock drove the bus in “Speed.”

Because “I’m melting! I’m melting!”

Because of the way cigarette smoke looks on black and white film.

Because “Dear blender, won’t you help a first offender?”

Because “Look at you Jim, your brain has turned to marmalade!”

Because Buster Keaton dropped a house on his head, for real, before special effects.

Because I saw John Hurt’s epic indigestion in “Alien” for the first time in a hotel in Canada when I was 12, and it still haunts me.

Because Ann-Margret wore the tightest pants in the history of the world while dancing in “Viva Las Vegas.”

Because Audrey Hepburn was flawless.

Because Robert Mitchum had LOVE on one set of knuckles, and HATE on the other set.

Because the money flies away on the wind at the end of “The Killing.”

Because the gold flies away at the end of “Treasure of the Sierra Madre.”

Because the money burns up at the end of the Rat Pack’s version of “Ocean’s 11.”

Because, when I saw “Psycho” for the first time, I knew all the twists, and I still jumped when the detective gets the knife to the face on the staircase.

Because “You tell them I’m coming!”

Because the foreign version of “The Vanishing” doesn’t wimp out at the end.

Because Frankie and Annette came back in the ’80s, and brought Pee-Wee along for the beach party.

Because Richard Gere  let his hair go silver.

Because the Alamo doesn’t have a basement.

Because “We gotta do somethin’. I don’t know why “we” always has to be me every damn time. We, we, we. What do I look like, an expert in worm?”

Because of Terry O’Quinn’s shower and shave from Hell in “The Stepfather.”

Because of Catherine Deneuve at the gas station in the rain at the end of “Umbrellas of Cherbourg.”

Because every kid raised on ’80s arcade games knows, without a doubt, “The Last Starfighter” could happen.

Because the warriors salute each other at the end of “Zulu.”

Because of Heath Ledger in the trailer, alone with his memories of a lifetime of hurt, forever unable to find a bit of happiness, in “Brokeback Mountain.”

Because of Lee Marvin, in the back of a car, snapping together his gun, as he races the darkness in “Prime Cut.”

Because “They chopped off his bowling fingers!”

Because Dil stands by her man in “The Crying Game.”

Because the greatest ’80s slasher ever, “My Bloody Valentine,” wraps with the super-creepy, super-groovy “Ballad of Harry Warden,” over its end credits.

Because Einstein invented beer and rock and roll. Yahoo Serious said it was so.

Because of a mad man on a raft covered in monkeys, floating down a shorter-than-he-realizes river in “Aguirre, Wrath of God.”

Because no one rocks the adult diaper like Sean Connery in “Zardoz.”

Because “SUPER DUPER!!”

Because they didn’t use seat-belts, shooting permits or the brake (ever!) in the original ’70s “Gone in 60 Seconds.”

Because of Pam Grier’s awe-inspiring Afro.

Because of Burt Reynold’s awe-inspiring laugh.

Because “She takes after her dear, departed mother.” “Mother died, huh?” “Nope, she just departed.”

Because Donald Sutherland made the freakiest noise known to man at the end of “Invasion of the Body Snatchers.”

Because, check that, Felissa Rose makes the freakiest noise known to man at the end of “Sleepaway Camp.”

Because “My god, she’s a boy!!”

Because of the three chained convicts trying, and failing badly, to jump on a moving box car in “O Brother, Where Art Thou?”

Because of the old guy trying, and failing badly, to jump through a plexiglass  window in “The Hudsucker Proxy.”

Because “Sit down, sit down, you’re rockin’ the boat.”

Because “I don’t want your respect. Who wants respect from a ten-year old kid?”

Because of the crane kick.

Because we knew nothing going in, and then Trinity went running up the wall in “The Matrix” and our brains melted.

Because “I want my two dollars!!”

Because “The Terror of Tiny Town,” an all-midget western from ’38, really exists.

Because “Khaaaaaaaaaaaaannnnnnnnn!!!!”

Because the entire theater went berserk when Randy Quaid came flying in to save the day in “Independence Day.” “I’m back, boys!!!”

Because the tomatoes always attack down hill in the super-cheap, super-fun “Attack of the Killer Tomatoes.”

Because Joan Osborne blows the doors off the building belting “What Becomes of the Broken Hearted” in “Standing in the Shadows of Motown.”

Because Ewan McGregor and Nicole Kidman sing “Come What May” in the berserk, heart-breaking finale to “Moulin Rogue.”

Because “Jimmy, I’m in my nightgown!! Bunnies? I don’t know what you’re talking about, but I like the sound of it!!”

Because every other person in the theater walked out before “Natural Born Killers” was done, but not me. Because I’m stupid that way.

Because I have NEVER walked out of a movie in my life. EVER.

Because we got screeners almost every day for 12 years at Videoville.

Because Patrick Swayze catches one final wave.

Because “Bueller… Bueller… Bueller…”

Because my sister, Sarah, was so freaked out during the snake scene in “Raiders,” she threw her pop all over me.

Because my parents took me to the movies.

Because the first video store owner I ever met couldn’t speak English, didn’t care how old I was, and let me rent everything from “The African Queen” to “Summer School” to “Xtro” — where a woman gives birth to a full-grown alien (think about it…) in CLOSE-UP.

Because all of these things have made me what I am today.

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“I am not amused by the absence of pie on this table!” (Matthew Kirkconnell photo)

“Much better!!” (Matthew Kirkconnell photo)

Boston Creme pie (Sarah Kirkconnell photo)

Pecan pie (with boozy-woozy flavor). (Sarah Kirkconnell photo)

Chickpea tart (from the Martha Stewart of Maple Valley). (Sarah Kirkconnell photo)

And there was pie.

Pumpkin pie. Pecan pie. Chickpea Tart (which isn’t a pie, but looks like one). Boston Creme pie (and yes, I know it’s a cake, and no, that didn’t slow me down).

The key is to get in good (and get a few childhood blackmail photos) with a future top-level chef — in this case Sarah Kirkconnell. If you like the photos (and secretly wish you had been able to eat the real deal) check out my sister’s blogs — http://gazingin.com/ and http://www.trailcooking.com/— both featured on the right side of this blog.

If she gets some hits off of my web site, who knows what wonders she might be willing to whip up for Christmas in Maple Valley?

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        Two of the nephews, Little Lord Chubbington (left) and the Blueberry Farmer. Moody McTeenager is 6-foot-1 now and would crush my lap if he sat on it. (Matthew Kirkconnell photo)

It’s that time of year.

Boston creme pie, pecan pie and green been casserole with canned fried onions on top (no matter how loudly my now-insanely-devoted-to-pure-foods sister may scream about having to make it). Some call it Thanksgiving, I call it four days of free room and board.

And now I’ve probably said too much and she’s plotting home repair projects for me to undertake during my time in Maple Valley.

But hey, she’s probably too busy with her trail food cooking empire to read my blog on a regular basis, anyway, so I’m probably safe. If not, my shoddy reputation as a home-repair-project-doing kind of person works nicely as a backup plan.

Anyway, if coupevillesports.com doesn’t post its normal four articles a day for the next 96 hours, now you know why. The Canadian Corporate Overlords haven’t bought me out (or kidnapped me and taken me to a secret location to be tortured with herring) and, since I ended my Penn Cove swimming until the spring, I haven’t fallen down the Hill O’ Death.

I am off to cavort with my three nephews and while I may update a bit and post a thing or two, I won’t be hunkered over the computer, feverishly scooping the herring-chomping competition on 7th grade basketball coverage.

I’ll be back at it Friday (and hey, high school basketball is still in the practice stage and middle school hoops is off until Nov. 26, anyway), but feel free to continue to send me stuff. I catch up quickly.

Well, unless I eat too much pie…

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    Old school journalists and new school bloggers, caught in a stare-down. Who will blink first?

I am conflicted.

I remember what it felt like in early 1990 to see my byline on a story in a professional newspaper. At a time when my journalism classmates from Tumwater and Oak Harbor High School were just beginning their college days (or still writing for the high school paper), I had cracked, somewhat inadvertently, the world of the grizzled old pros.

It was a game story on an Oak Harbor/Shelton boys’ basketball game, in the days when Pat Herms and Ron Ferguson starred for the Wildcats. I think the score was 42-35 or 40-35; I know OHHS won.

Seeing my name there in black and white was a bit profound — for 18-year-old me, at least, probably not for the people who bought those 12,000 editions of the Whidbey News-Times (if you still have one, it’s worth -$4.89 on eBay).

It’s hard to remember now, in a day when the internet has swept into every corner of our lives, what it once meant when that print edition of the paper came off the presses (when I toiled in the press room for a year or two, it meant a lot of sore fingers…).

Wednesday afternoon. Saturday morning. The News-Times was the voice of the Island. What was on those pages mattered.

And it still does, after a fashion.

But the local papers — the News-Times, the Examiner, the Record — face a moment in time. A moment when they need to decide where they’re going and why they’re going that way.

I joke about them being pawns of their Canadian Corporate Overlords, those Canuck bean counters in Moosejaw, but Black Press and its offshoot, Sound Publishing, are no worse (or better) than a lot of large, monolithic corporations. The people that work for those newspapers are committed journalists — you have to be in this day and age, when newspapers slash jobs non-stop and large paydays are a thing of the past — who care about their community.

But there is a difference between being proud of the past and honoring it and clinging blindly to something that worked 20 years ago but has little relevance in 2012.

The local papers, and the people that work there, will be quick to tell you they are preserving a heritage, recording the first draft of history. My question — why does it take you so damn long to do it?

The internet is a powerful tool — a more powerful tool than print these days — but the local papers update their web sites sporadically (if at all). There is an argument that if you hold your stories for print first, more people will buy the print edition — but the numbers don’t back that up.

It’s easy to dismiss bloggers (most of whom are or were newspaper people) but the simple fact is, while you send a whiff of condescension our way, a lot of us are spanking your cushy behinds. We report faster, we cover things you don’t, all too frequently we are miles ahead of you on the story, and we don’t vanish into a black hole from Friday at 5 PM until Monday at 9AM.

A while back, the News-Times ran an incredibly asinine op ed from another paper, in which the writer all but claimed newspapers were doing God’s work and bloggers were simpleminded fools who couldn’t cut it in a modern newsroom.

That part’s true. Why be chained to a desk when we’re already kicking your entitled asses?

When you hit your desks Monday morning, you’re already 12 stories down and counting, and when you have your people spend time writing a story that your paper has already run three months before (I wrote it, before I parted ways), what, exactly is the point?

Yes, online journalism does not feel as real as holding a print copy of the paper in your hands. That’s a sad reality. But, no matter what you think, our stories aren’t somehow less tangible than yours.

My output (320+ articles in the last three months) dwarfs yours (and you have a full staff of paid writers and editors) and once an article is on the internet, it doesn’t just vanish. It’s there forever, the same place your stories are … or at least until the computers rise up and kill us all off.

The bound volumes of newspapers? They were covered in dust when I was at the News-Times, and that was nearly two decades ago. One flame and that’s all gone.

Like I said, I’m conflicted. I remember the past. But I also know it is the past.

Times change, and those who don’t adapt won’t be around very long. If you don’t believe that, go talk to the video stores.

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The man, the myth, the legend … Geoff Newton.

A day that will live in infamy.

Holding on to the roof of the hatchback with my fingers turning white, a notebook clamped between my teeth to keep from swallowing my tongue, I looked fear in the eye and laughed that day.

Or screamed like a little girl with a turbo-wedgie.

Probably the latter.

Geoff Newton, the mad man at the wheel, was driving with one knee, loading his camera with one hand and twirling the dials on his police radio with the other, all while screaming “You’ll never catch me, bastards!!” at the fire trucks which futilely tried to keep up with us as we zigged and zagged down rutted back country roads.

He, an award-winning photographer, was hell-bent to beat everyone to what the radio was describing as a fire of epic proportions.

I, not even an official reporter for the Whidbey News-Times at this point, was hell-bent to keep from remembering my lunch in vivid detail, as I felt it storming up the back of my throat each time the car found the ground long enough to skid.

Mere moments before, we were on a leisurely afternoon drive to interview the new boys’ basketball coach at Oak Harbor High School.

Now we were reenacting “Smokey and the Bandit” … in a car built to go 30.

Holding the line on two wheels, we whipped around a twist in the road, narrowly missing a row of trees and found ourselves at the gates of Hell.

Then Hell went up in a blaze of gunfire.

No mere marshmallow roast, this was a raging inferno, with a house being ripped apart.

Toxic paint and ammo had been stored where the fire started, and they were gettin’ it on at the moment.

Huge clouds of eerily-colored smoke poured out of windows, generally followed by firefighters pouring out of said window.

All around us, gunshots cracked, ping, ping, ping, then a boom lifted part of the roof, which then came crashing back down. Audible profanity could be heard coming from multiple directions.

Geoff, a towering presence in the newsroom and my newspaper idol, strode into Hell with a skip in his step. Crouching in the bushes next to the inferno, he clicked away like a madman, daring the toxic smoke to try and invade his lungs.

The smoke declined the challenge.

Then the owner of the house arrived home and went running past me, screaming about his cat being inside.

The first firefighter missed tackling him, he dodged the second one, but then his foot caught on a loose board and he went face-down like he had been shot, his melon making a squishy sound as he connected with the ground.

Right behind me, up a tree — way up a tree — Sir Wellington, his cat, not being as stupid as the humans, sat passively watching the joint burn down. From his expression, any arson investigation should have started, and ended, with the sassy tabby.

Somewhere a lonely basketball coach sat in an empty gym, wondering why nobody loved him.

In a time before cell phones were giving everyone cancer, I was in a field in the middle of nowhere, flinching in unison at each new blast, along with the veteran fire captain who had set up shop next to me.

“I didn’t flinch! You better not write that, boy! I’m just really itchy today … the wife put too much detergent in my shirts again.”

Then, his foot would take off like a mad man, thumping in place. Apparently the detergent had gotten into his pants, as well.

Hours later, back at the newspaper, I found myself with the first front page story of what has turned into a scatter-shot, on-and-off 23-year newspaper career.

As I pounded away at the computer keys, our editor, Fred Obee, a dead-ringer for Wallace “Inconceivable!” Shawn in “The Princess Bride,” strode by the desk I was using, a lit cigarette already working in his mouth.

Surveying the 45 empty Coke cans scattered around my still-twitchy body, my face smudged with smoke, he laughed.

“First rule of newspaper club, boy. Always pack a clean pair of undies if you’re riding with Newton.”

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