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Posts Tagged ‘Videoville’

Ooh baby, baby…

I came from the turbulent sea, where whitecaps rocked our boat at all hours and the smell of decaying seafood forever scarred my nose hairs.

It was … what … yes, it was Penn Cove, and not the Bering Strait … it was still horrifying.

No, I’m not being a fancy lad … well, maybe a little bit … but I still have nightmares, thank you very much.

Back in 1994, when I fled the mussel rafts after multiple months of “learning about life,” the chance to work in a video store — especially a snug lil’ popcorn-scented joint like Videoville — was like gaining entrance to heaven itself.

VHS tapes crammed ceiling to floor, a movie on the TV screen, the smell of “butter” in the air, easy access to Reese’s Pieces … I was never leaving.

And I didn’t, for a very long time.

A year in the small house in which Videoville began, then another 11 in the “new store,” which introduced Cow Town to the concept of paying extra for your coffee thanks to Miriam’s Espresso.

The bigger store wasn’t quite as snug as the house, maybe, and the popcorn machine was replaced with a giant gumball dispenser.

But it also had three TV’s instead of one, so I could play Bugsy Malone and the ’70s version of Gone in 60 Seconds in surround-vision.

And I still got paid to stand around and scarf Reese’s Pieces and tell people they were missing out on the finer things in life if they didn’t accept Bottle Rocket as their true lord and savior.

While staying far, far away from the mussel rafts.

They will rock you.

Miriam Meyer, who was my boss from 1994-2006, was more than a boss.

She was a second mom, and she let me largely run wild, ordering movies that often had no business being on the shelf of a small-town video store.

Suicide Club. Shortbus. Ichi the Killer. Hands on a Hardbody. Doggy Poo.

The last one was a Korean animated short film about a pile of doggy doo-doo seeking inner peace and enlightenment. Seriously.

The first four?  The one that sounds like porn (Hands) was completely not, while Shortbus was … an arthouse … film. Or something like that.

Videoville never had an X-rated section, but we did appeal to the higher-minded nudie lovers who wanted overly complex plots crafted by pretentious artistes.

We used to put little notes on movies sometimes to give customers at least a fighting chance to know they would be renting something likely to offend.

Or to allow me to rant and rave about the quality of small gems that otherwise would be invisible.

Love Serenade, where a weathered disc jockey transforms into a fish and swims away from a small-town love triangle.

Margaret’s Musuem, where a lonely woman collects “bit and pieces” of each dude who dies in the town’s coal mine.

Strictly Ballroom, a passionate ode to big hair and bigger dance moves.

Dead End Drive In, where teens are trapped in a Hellhole of endless junk food and junkier movies and can’t leave … and, wait, how is that a bad thing??

Basically, what I’m saying is my years in the video store biz are bathed in a hazy, golden nostalgia, and the mere smell of Reese’s Pieces makes me weep that one day I had to return to doing actual work.

Having busted my back as a landscaper, farm hand, booze pusher, dishwasher, onion chopper, and on other assorted gigs, writing ain’t that hard.

But it’s not video store life.

So, from time to time, I get caught up in the lure of recapturing the olden days and I amass movies in my duplex.

I’m doing it again, having gone from a couple of DVDs to 600+ and counting in the last week or two, thanks to people doing spring cleaning in a streaming world.

It begins … again.

Yes, it’s a slippery slope.

One day you have just The Abyss and Moulin Rouge, and the next you wake up to find the back bedroom turned into a shrine to my Reese’s-scented days.

My sister and landlord shake their heads, while my youngest nephews, who weren’t around in the video store days, are captivated by this reoccurring burst of mania.

“You should get VHS, too, Uncle David!! Be a real hoarder!!! I mean … history preserver.”

And then they giggle as their mom shoots them an arched eyebrow and they return to looking on Ebay for cheaply priced mystery boxes of movies they can buy me for my upcoming birthday.

I hope…

 

Want to beat them to the punch?

I’m taking in all your tired, your poor, your huddled masses of DVD (not VHS!) yearning to breathe free and have a forever home with a view of Penn Cove.

The address: 165 Sherman, Coupeville, WA, 98239. There’s a porch in front and another in back, just waiting for your drop-offs.

Or find me, or my dark green, dirt splattered Xterra, at a CHS baseball or softball game this spring and take me back to my golden days.

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Erick Harada and parents Steve and Kathy, part of a family which has given much to Whidbey.

One of the most prominent storefronts in Coupeville is hitting the open market.

After a successful run in what will always be “the Videoville building” to me, Harada Physical Therapy is pulling up stakes in Cow Town, while moving its clientele to its Oak Harbor location.

The Coupeville storefront in question is at 101 S. Main, right across from the elementary school.

In a letter to his clients, owner Erick Harada had the following to say:

 

As some of you may have heard, we will not be renewing our lease for the Coupeville clinic.

It has been a great 9+ year run in a town that holds a special place in my heart.

However, the ever-changing landscape of physical therapy that includes a nationwide shortage of physical therapists and insurance challenges have made it difficult to keep this location open.

We have started the transition of combining our staff into our Oak Harbor location where we hope to continue serving our Coupeville clientele.

For the time being, we will continue to operate under limited hours in Coupeville until our lease has run its course.

As a business owner, I am constantly balancing the economics of running a successful business, fairly compensating my employees, and being able to help as many members of the Whidbey community as possible.

I thank every one of you who have supported Harada Physical Therapy over the past 20+ years and appreciate your understanding while we continue to evolve and grow.

Your support allows us to do what we love best, which is helping others to live their lives to the fullest.

Thank you for trusting us with your health and we look forward to another great year on Whidbey.

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Tim Burton (left) and Pee-Wee Herman, making magic.

Indiana Jones. Norman Bates. Scarlett O’Hara.

Whether it’s Clint Eastwood as The Man with No Name, or Gloria Swanson as Norma Desmond in Sunset Boulevard, some movie characters live forever.

Pee-Wee Herman is one of those immortals.

Through three movies, a TV show, a stage show, and several decades, the man-child with the bow tie and the extra-fancy bicycle elevated Paul Reubens and put him up there, rightfully, with the icons.

The news of the actor’s death, at age 70 (how could Pee-Wee be 70???) after a private battle with cancer, hits every emotional button I have.

I was 14 when Pee-Wee’s Big Adventure came out and have loved every frame of it ever since.

Look, I’m not saying it’s one of the best films of all time. I’m saying it’s bigger than that.

It’s not Chinatown, or On the Waterfront, or Lawrence of Arabia — pristine cinematic gems which stand at the tippy-top of my Mount Rushmore of films.

But Pee-Wee’s Big Adventure, like Raiders of the Lost Ark and Hoosiers, has a hold on me which is uncanny.

No matter how many times I see it, what unspools remains as fresh today as it was in the ’80s.

Few things are better than harassing my nephews by endlessly replaying the Large Marge scene or Pee-Wee dancing to Tequila in platform shoes, or his attempted visit to the Alamo’s basement.

“I know you are, but what am I?”

“Go ahead and scream your head off! We’re miles from where anyone can hear you!”

“The mind plays tricks on you. You play tricks back!”

“Is this something you can share with the rest of us, Amazing Larry????”

“I say we let him go!!”

Some movies have great lines sprinkled across a sea of pedestrian dialogue.

Pee-Wee’s Big Adventure is gold, Jerry, gold, every last line of it.

“There’s a lotta things about me you don’t know anything about, Dottie. Things you wouldn’t understand. Things you couldn’t understand. Things you shouldn’t understand.”

During my 15-year run in video stores, one of the true highlights was winning a bet with Miriam, the owner of Videoville.

I had pledged to rent the pretty much unknown Bottle RocketWes Anderson and Owen Wilson’s first film — 300 times if she sprung for three VHS copies in the days when VHS copies cost their weight in gold.

325 rentals, and a lot of peeved customers later, I collected on that bet.

My bounty?

A laserdisc copy of Pee-Wee’s Big Adventure for the store and the chance to play the scene of our hero “rescuing” snakes from a burning pet store while screaming like a ninny in glorious high-def.

Not saying it was heaven, but with the store wrapped in the smell of popcorn drenched in fake butter, it was pretty darn close.

Look, there’s a lot going on today, same as yesterday, same as tomorrow.

But, in that words of that immortal sage, Ferris Bueller, “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.”

Go, take a break and just marinate. Watch all 91 minutes of Pee-Wee’s Big Adventure or at least catch a clip or two.

Be a loner, a rebel, shed a tear, pour one out and pity the fool who doesn’t enjoy Mr. T’s cereal.

Not all heroes wear capes. Some wore bow ties.

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Still my jam.

Yep, you’re all still wrong.

Back in 1996, two years into my 12-year run working behind the counter at Videoville, I relentlessly pushed a movie on renters.

A film which fractured Coupeville and exposed one simple truth — my taste in movies was often radically different than that of my customers.

That would be reinforced many, many, MANY times over the years.

Light one up for Reefer Madness: The Movie Musical, my old friend.

You can go hang out there in the corner with Hands on a Hardbody, Sgt. Pepper’s Lonely Hearts Club Band, The Apple, and the deeply misunderstood Cat in the Hat.

Don’t view it as a kid’s movie, but instead as Mike Myers crafting a warped tribute to old-school Catskills comedy, and you’ll be much happier.

But anyway, Bottle Rocket, which gave the world Owen Wilson (and his smashed-in nose) and Wes Anderson (and his love it or hate it cinematic style), was then, and remains now, a highly divisive movie in Cow Town.

In a 1996 world where most new VHS copies of movies cost between $70-$100 (it was a different time…), a lil’ store in Coupeville bought three copies of a micro-budget independent movie.

All because, battling a brain-splitting headache at 2:00 AM, I watched an advance copy of said film, and promptly convinced a VERY understanding video store owner, Miriam Meyer, only one move made sense.

Don’t pass on an oddball comedy from a first-time writer/director, starring an unknown goofball with a smashed schnozz, as many stores across America would.

And don’t buy just one copy.

Go for the deal the distributor was offering. A deal they probably thought no store would accept.

Buy THREE copies, get some bucks knocked off the overall price, and I would guarantee to rent that trio 300 times.

In a town the size of Coupeville.

So, we made a bet.

A bet I won, which resulted in Miriam buying the store Pee-Wee’s Big Adventure on LaserDisc — the format which was going to revolutionize the biz.

Until it didn’t.

Every employee arriving to work when video stores ruled the world in the mid-90’s.

We rented Bottle Rocket on VHS 306 times … and approximately 304 of those times, the reaction was brutal.

There was apathy. Indifference. And a whole heck of a lot of visceral hate.

Hate I still hear about to this day, a full 17 years after I departed Videoville.

Which begs the question — could I have been wrong?

Beset by a migraine, fueled by the heady mix of a microwave burrito and Excedrin, did I overestimate Bottle Rocket’s brilliance in the early hours of a 1996 morning?

Or was 99.2% of the town just flat out wrong, heathens with no taste for the finer things?

That existential quandary hovered in the air on a recent Saturday afternoon in 2023, as I returned to Bottle Rocket for the first time in 27 years.

No migraine, no microwave burrito, no Excedrin, just some presumably clear eyes taking a second look at the film which will forever mark me in this town.

Which is saying a lot, as I have mainlined an ungodly number of movies in my time.

The total number is unfathomable at this point, but I once tried to tally up the titles seen. When I hit 10,000, I quit counting.

That was a looooooooooooong time ago.

As a lark, I’ve been keeping tabs on my viewing habits this year, which you can view here:

https://letterboxd.com/davidsvien/list/recliner-life-what-i-watched-in-2023/

With my video store days long gone, and sports writing duties somewhat restricting my time, I’m still on target to hit about 500 in 2023.

Not a record-buster, but decent numbers.

But for every Chinatown and On the Waterfront in my past, there have been a gazillion lesser cinematic moments.

My nephews, after finding out I once paid to be the only person in a mall movie theater for a showing of the 2000 Jason Biggs “comedy” Loser, now find it hilarious to bring that nugget up 10 times a week.

“Man, Uncle David, you watch a lot of crap, don’t you?”

I do, I do. Just look at my Letterboxd list…

Taste, or lack of it, is in the eye of the beholder.

Or something like that. Now hush while I go watch a double feature of camp and schlock with Glee: The Concert and Sisters of Death.

My Roku seeing me choose movies to watch.

But back to Bottle Rocket, and my first viewing of it in 27 years.

Back then, it unspooled on a VCR.

This time around, it was streaming on Hulu.

Both times? Bliss, baby.

Time has been kind to Bottle Rocket. If anything, I think it’s better the second time around.

Over the years, Wes Anderson has become among the most precious of directors, each of his films even more hermetically sealed — lil’ masterpieces of elaborate art design aimed at a crowd of about three of us.

I like most of what he does, and outright love some of it, like The Grand Budapest Hotel.

That said, other modern-day filmmakers like the Coen brothers and Paul Thomas Anderson have proven to be his superior in my eyes.

And if we’re talking old-school pros like Akira Kurosawa and Billy Wilder, or the controversial but brilliant trio of Elia Kazan, Leni Riefenstahl, and Roman Polanski, he’s not even in the conversation.

But Wes Anderson is very, very good at a very narrow form of filmmaking, and give him his props for that.

Then go back and watch Bottle Rocket with fresh eyes after 27 years, and it’s a jolt to be reminded how different his debut film was from the movies he’s now best known for making.

There’s no all-star cast — Owen and Luke Wilson are first-timers, and Lumi Cavazos, so sweetly winning, was virtually unknown to American audiences.

Unless you had made a road trip from Whidbey to the theater in Mount Vernon to see her in the Mexican art house smash Like Water for Chocolate back in ’92.

Worth the gas money.

The ever-luminous Lumi Cavazos.

James Caan, of Godfather and Rollerball fame, was the only “name” in the cast in 1996, and his small role, as a weird (maybe) crime boss was a million years away from his normal hyper-intense roles.

Wes Anderson hadn’t become obsessed with art design yet, and the movie — a gentle, goofy comedy about slightly cockeyed people finding connections through small-time crime — plays out across normal Texas landscapes.

It’s laidback, charming, witty, a light dollop of fun floating through a too-tense world.

Martin Scorsese, perhaps our greatest living director, said Bottle Rocket “conveys the simple joys and interactions between people so well and with such richness.”

Are you going to argue with the dude who made Goodfellas, Taxi Driver, Raging Bull, and Alice Doesn’t Live Here Anymore?

Simple joys … maybe that’s the problem.

In my push to hit 300 rentals, I might have oversold the film, made it sound like it would transform lives and inspire a generation.

Bottle Rocket is what it is, then and now.

Just a whimsical good time, something to ease head pain in 1996 or bring back good memories in 2023 of a time when video store life was in its prime.

I loved the film then. I love it now.

Maybe it’s time everyone else in Coupeville took 91 minutes to reevaluate it.

And if you still hate it afterwards? Well, you’d just be wrong.

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Caleb Meyer, international man of mystery. (Photo courtesy Molly McPherson)

I knew him before he was big time.

Caleb Meyer is a Coupeville High School grad, current college basketball player, and owner of the most-luxurious naturally curly hair in the Northwest.

But a long time ago, before he got his growth spurt and became a tower of power, he was Videoville royalty, a wee tot hanging out in grampa and grandma’s store.

Caleb guarded the giant gumball machine next to the front door with a righteous passion, and his skills juggling the round candies were a sign of what was to come when he became a basketball whiz kid.

Seeing him return to Coupeville last year for his senior year and play a vital role for a Wolf hoops team which had its best season in three decades-plus, was a personal thrill.

And now Caleb is signing autographs for Skagit Valley College hoops fans who gaze at him like he’s a blend of Harry Styles and Damian Lillard.

Couldn’t happen to a better guy.

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